Festival International de Jazz de Montréal presents

Joshua Redman Group

Joshua Redman is one of the most acclaimed and charismatic jazz artists to have emerged in the decade of the 1990s. The early influences of John Coltrane, Ornette Coleman, Cannonball Adderley, and his father, Dewey Redman, as well as The Beatles, Aretha Franklin, the Temptations, Earth, Wind and Fire, Prince, The Police, and Led Zeppelin drew Joshua more deeply into music. Although he loved playing the saxophone, academics were always his first priority, and he never seriously considered becoming a professional musician. After graduating from Harvard College with a B.A. in Social Studies, he had already been accepted by Yale Law School, but deferred entrance for what he believed was only going to be one year to join friends in Brooklyn. Almost immediately, Redman found himself immersed in the New York jazz scene. In November 1991, five months after moving to New York, Redman was named the winner of the prestigious Thelonious Monk International Saxophone Competition

Joshua now turns his attention to his next project, Where Are We, which will be released in September of 2023. Where Are We marks the first time that Joshua has included a vocalist (Gabrielle Cavassa) on a record, and features Aaron Parks on piano, Joe Sanders on bass, and Brian Blade on drums; with special guests Nicholas Payton (trumpet), Kurt Rosenwinkel (guitar), Peter Bernstein (guitar), and Joel Ross (vibes). Joshua notes that “the surface concept of WHERE ARE WE is rather simple: each of the songs on the album is about, or at least makes reference to, a specific geographical location (city or state or region) in the United States: Bruce Springsteen’s “Streets of Philadelphia,” Count Basie’s “Going To Chicago,” Rodgers & Hart’s “Manhattan” and John Coltrane’s Alabama,” etc etc… So, on one level, this is an album “about” America — at once a celebration and a critique. But it is also, to varying degrees, a ballads album, a standards album, an album of romantic longing, an album of social reflection, an album of melodic invention, an album of improvisational adventure, an album of mashups (stylistic and titular), perhaps even a tribute album of sorts.”

Théâtre Maisonneuve
Tuesday, July 2, 2024 at 8:00pm

To purchase your tickets visit: www.placedesarts.com