Julian Rosefeldt, Manifesto, 2015 13-channel film installation Installation View, Park Avenue Armory, New York, 2016 Julian Rosefeldt, Manifesto, 2015 © Julian Rosefeldt et VG Bild-Kunst, Bonn 2017 Manifesto by Julian Rosefeldt- until January 20 at the MAC LiveEvents December 29, 2018 4597 Manifesto by Julian Rosefeldt German artist Julian Rosefeldt produced Manifesto in 2015. This thirteen-channel immersive video installation stands as a tribute to the tradition and literary beauty of artist manifestos. The artwork/event, which lies at the crossroads between film, performance and installation, gives the MAC’s audiences an opportunity to personally experience a work that has created a sensation wherever it has been shown. Each of the thirteen screens in Manifesto presents the same actor (Cate Blanchett) taking on various roles: schoolteacher, homeless man, factory worker, puppeteer, scientist. All of the monologues spoken—actually, the only words spoken in the piece—are formed out of various artists’ manifestos published over the last 150 years or so. Rosefeldt offers us thirteen collages, drawing on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists, Dogme 95, and the musings of artists, architects, dancers and filmmakers such as Claes Oldenburg, Yvonne Rainer, Kazimir Malevitch, André Breton, Elaine Sturtevant, Sol LeWitt and Jim Jarmusch. The result is a fascinating installation that reveals both the performative component and the political significance of these declarations. • Manifesto has been mounted in more than a dozen cities around the world; its presentation in Montreal will be only its second in North America, after the Park Avenue Armory in New York. Berlin-based artist Julian Rosefeldt (born in Munich in 1965) is internationally renowned for his visually opulent and meticulously choreographed moving-image artworks, mostly presented as complex multi-screen installations. Inspired by the histories of film, art and popular culture, Rosefeldt uses cinematic tropes to carry viewers into surreal, theatrical realms where the inhabitants are absorbed by the rituals of everyday life. He employs humour and satire to seduce audiences into familiar worlds made strange. For more information and exhibit hours: www.macm.org