Thomas Rhett – April 24, Bell Centre LiveEvents April 16, 2019 2871 Life Changes Tour 2019 Thomas Rhett with Dustin Lynch Thomas Rhett scored his first No. one hit in 2013 with “It Goes Like This,” introducing a sound that mixed the southern swagger of county music with pop hooks, R&B grooves, soulful strut, and the anything-goes attitude of rock. During the years since, he’s become a husband. A father, too. And, thanks to eight chart-topping singles, a headliner of massive arenas. It’s funny how life can change so much in such a short period of time. Life Changes captures that whirlwind period. Recorded while Thomas Rhett and his wife, Lauren, were in the middle of adopting their daughter from Africa and awaiting the birth of their second child, it’s the biggest, boldest-sounding record of his career, filled with songs that stretch his sound to new limits. Kicking off the album is “Craving You,” a driving, danceable pop anthem filled with ’80s-inspired production and guest vocals for Maren Morris. From there, Life Changes carves a path as wild and wide as his own career. There are coming-of-age country ballads, heartland rock & roll anthems, EDM-influenced pop tracks and R&B slow jams all wrapped together by the songwriting skills and elastic vocals of a frontman who’s willing to shine a light on his own milestones and mistakes. “I named the album Life Changes because my life has never changed this much in a short span of time,” he says. “From seeing the success of a song like ‘Die a Happy Man’ to putting out my third album to going on my first headlining tour to having two children, both under two years old… I thought the title of the album was a good representation of what is happening in my life right now.” Much of the album’s material was written on the road, while Thomas Rhett toured his way across America in support of his platinum-selling second record, Tangled Up. Released in 2015, Tangled Up marked a turning point in his career, spawning four Number One singles and one Grammy-nominated smash: “Die a Happy Man.” A tender, personal song written about his wife, “Die a Happy Man” topped the charts for six weeks, earning awards from the CMA, ACM and Billboard Music Awards along the way. It was an eye-opening experience for Thomas Rhett, who’d rarely written something so intimate before. Although intensely autobiographical, “Die a Happy Man” still tapped into something widespread and universal, becoming the biggest hit of his career. There’s plenty of autobiography on Life Changes, too. Thomas Rhett sings about his own adolescence in “Sixteen,” a nostalgic song about a teenager’s desire to grow up…only to miss his teenage years once adulthood is finally reached. “No matter if you’re 10 years old or you’re 80 years old, I think you can always find an identity within the verses and choruses of that song,” he says proudly. The album’s title track tells a wider story, opening with his days as a struggling songwriter before moving through the various life changes — his marriage to his grade-school crush, the adoption of the couple’s first daughter, the achievement of his lifelong musical dreams — that have unfolded since then. Both songs tell personal stories, but listeners can see their own lives reflected in Thomas Rhett’s music. After all, who hasn’t fallen in love as a teenager? Who hasn’t looked back fondly on their high-school years? His stories are so compelling because they are our stories, too. And like any great storyteller, he weaves a wide narrative on Life Changes, delivering the album from several different personas. He transforms himself into a 1950s crooner on “Sweetheart,” a modernized doo-wop song inspired by his childhood trips to his grandparents’ house, where he spent his afternoons listening to records by the Drifters and Carole King. “Leave Right Now” and “Marry Me” are two mid-tempo ballads underscored by big, booming beats. On “Drink a Little Beer” — a song written by his father, Rhett Akins, who contributes guest vocals to the track — he time-travels to the 1970s, back when country songs featured Telecaster guitars and phaser pedals. And on the retro “Kiss Me like a Stranger,” he channels the soft-rock sounds of the Bee Gees and Hall & Oates. For tickets and information: www.evenko.ca 514-790-2525 or 1-877-668-8269